MUSIQUE FEMME TOUAREG

Terres Touareg

The music of Tuareg women

In the heart of the Sahara, music plays a fundamental role in the culture of the Tuareg people. Although men are very present on the music scene today,
it is Tuareg women who, historically, are the true guardians.

In Tuareg societies, organised according to a matrilineal system, women are at the centre of social life. She holds and passes on property, owns the tent,
and plays a decisive role in preserving traditions, including musical ones.

Tindé and imzad: the instruments of Tuareg women

Two emblematic instruments of Tuareg music are reserved exclusively for women: the tindé and the imzad. According to an ancient belief, men must not play these instruments or they will be cursed.

The tindé, the festive drum

The tindé is a circular drum made from a mortar covered with a goatskin. This instrument is temporary: the women build it for a specific occasion (festival, wedding, gathering), then collect the mortar after use. It is accompanied by rhythmic female singing, forming a powerful and festive ensemble.

The imzad, the voice of the desert

The imzad is a single-stringed fiddle held delicately in the lap. Its soft, vibrant sound is often described as ‘a voice that speaks’ – yantakq in Tamasheq. The instrument consists of a half-spherical calabash, covered in skin, with a neck made of acacia or oleander wood, and a string made of horsehair.

Traditionally, the imzad is played by women, accompanied by the low, recitative voices of men, in intimate or ceremonial settings.

A safeguarded heritage

Threatened with extinction during the 20th century, the imzad has been revived thanks to the work of the Algerian association Sauver l’imzad, founded in Tamanrasset. This movement has led to a revival in the making, learning and transmission of this instrument, particularly in the Tassili Hoggar and Tassili n’Ajjer regions.

In 2013, the practices and knowledge associated with the imzad were included by UNESCO on the Representative List of the Intangible Cultural Heritage of Humanity, in recognition of its role in the identity of the Tuareg people.

The arrival of the guitar: a musical revolution

In the 1970s, a new era dawned for Tuareg music with the arrival of the dry guitar, then the electric guitar, introduced mainly by men. This instrument became a symbol of resistance and expression of identity during periods of exile and conflict.

However, it was not until the 21st century that women took part in this musical revival.

Les Filles de Illighadad: a legacy of women and guitar

The group Les Filles de Illighadad, from a small village in Niger, has turned the Tuareg music scene upside down. These artists dare to mix electric guitar and traditional rhythms, paying tribute to the desert women who have handed down this musical culture over the centuries.

Now invited to play on the biggest international stages, they embody the meeting of modernity and heritage, while affirming the central place of women in the music of the Sahara.

The music of Tuareg women is much more than a tradition: it is a living memory, a link between generations, an expression of identity.
From the vibrant tindé to the delicate sounds of the imzad, these instruments tell the story of a people, its struggles, its celebrations and its resilience.
In the Sahara, the voice of women continues to resonate, carried today by new generations who blend roots and modernity.

Terres Touareg
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